What Kind of Tripod Makes It Easy to Remove Your Camera

Why you should trust us

Photo: Sarah Kobos

Arriana Vasquez has been doing both professional and hobbyist photography for over 10 years and worked for three years as a camera specialist at several camera stores in New York City. Her work ranges from fashion to nature and street photography. She has also contributed to Wirecutter's guides to instant cameras, tripods for smartphones, and portable document scanners.

Erin Lodi is a photojournalist, writer, and professional photographer, and has a wide range of experience researching, testing, and writing about photography trends, techniques, and tools—including in her role as mobile-imaging editor at DPReview, the most popular camera review site on the web. She has been reporting on travel tripods for this guide since 2014, testing dozens of models and measuring performance in a variety of climates and situations.

Who should get a tripod

Even with the image-stabilization systems built into many modern cameras and lenses, when you're using slower shutter speeds, the slightest movement of the camera can result in blurry pictures. If you shoot a lot in the following situations, using a tripod will let you get shots that would otherwise be very difficult or even impossible to capture:

• Low light and longer exposures: When low light requires you to use a slower shutter speed, it's best to keep the camera stabilized. (Experienced photographers tend to use the reciprocal rule to figure out whether they need to use a tripod.) Similarly, if you're using a longer exposure to create a special effect—such as blurring the movement of a waterfall while keeping the background sharply focused, or capturing bursts of color from a fireworks show—you'll get a much better result with a tripod.
• Remote triggers: You can take much better selfies and group photos with the camera on a tripod. You can either set the timer and run over to pose with the group or connect your camera to your smartphone and trigger the camera with the camera manufacturer's app. Remote triggers are also useful when you don't want to be near the camera—say, while you're waiting for a hummingbird to show up at a bird feeder or for other wildlife to wander in front of your lens.
• Landscapes, panoramas, and HDR: Even if you're shooting a landscape with plenty of light, placing the camera on a tripod lets you ensure that the camera is level for a straight horizon and that all the elements in the shot are properly positioned. Similarly, if you want to turn multiple shots into a panorama (stitched together in software), you need a tripod to keep everything evenly placed in the frame. And high dynamic range (HDR) images, which consist of two or more photos combined, require that those pictures be perfectly aligned. A tripod lets you take different exposures to get a better range of highlights and shadows while preserving alignment—the resulting pictures will more accurately reflect the scene you wanted to capture.
• Close-ups and telephoto shots: Whether you're using a macro or telephoto lens, the closer you get to a subject, the more sensitive the camera is to even the slightest movement. Telephoto lenses also tend to be bigger and heavier than other lenses, so you might not want to shoot handheld for a long period of time.
• Images on the go: When you're shooting under the above conditions while on the go, you're likely to want a travel tripod, a model that collapses enough to be easily carried when attached to a hiking bag or placed inside a carry-on suitcase. Travel tripods are smaller and lighter than their full-size brethren, and though they might not be quite as stable or have as many extra features as bigger models, they make up for that in portability.

How we picked

Photo: Kyle Fitzgerald

We've seen plenty of cheap tripods, but in general we've found that sub-$100 models are made with poor-quality materials, have less height adjustability, and are more difficult to set up properly. They might seem like a good value if you're on a tight budget, but in reality your cheap tripod is more likely to break after a year of use (or sooner), meaning you'll have to spend another $100 for a replacement. Our experience tells us that to get a truly solid, versatile, reliable, and full-featured tripod, you probably should spend around $150 or more.

But there's also an upper limit to how much most people should spend on a tripod. While carbon-fiber models are slightly lighter than their metal counterparts, they are also far more expensive. Case in point: You'd have to spend an extra $70 to get the carbon-fiber version of our top pick, and doing so would save you only about 9 ounces.

With that in mind, we focused on quality aluminum models. To narrow things further, we looked at the following factors:

• Load capacity: This represents how much weight a tripod is designed to support. We sought models that could hold a camera-and-lens combination of at least 15 pounds, which is enough to handle even the heaviest camera bodies and lenses we recommend.
• Maximum height: We scouted for tripods that could reach at least 50 inches without the center column extended and at least 60 inches with the column extended, so even if you're 6-foot-2 you won't be too uncomfortably hunched over when trying to get that shot.
• Leg and center-column angling: We favored tripods that allow you to angle the legs outward for setting the tripod low to the ground, as well as to angle the center column for shooting directly downward or getting the camera closer to subjects for macro photography.
• The head: A good tripod head lets you position the camera at nearly any angle, and most have a quick-release plate that attaches to the bottom of a camera, allowing you to easily mount it on the tripod or remove it. Tripod legs and heads are often sold separately so you can upgrade them independently, although you can also find kits (such as our top pick) that include both. We recommend a ball head, which allows you to tilt and rotate the camera simultaneously. Ball heads tend to be more compact and easier to use than three-way heads, which let you adjust the amount of left/right tilt, up/down tilt, and rotation independently. (All of our picks include a ball head.)
• Length when collapsed: Although size is much more important for travel tripods, it's always more convenient to carry something smaller.
• Leg grips: Tripod legs can get cold when you're shooting on chilly days. Foam or rubber grips can keep your fingers happy—and give you a better grip than bare metal.
• Spikes: When you're setting up on a soft surface such as grass, spiked feet can help set a tripod more firmly in place. That said, a lot of photographers don't bother to use them. We looked for tripods that either include them or offer them as an optional accessory.
• Weight: If a tripod is really heavy, you won't want to take it with you; if it's too light, it won't be sturdy enough. We looked for tripods weighing less than 6 pounds—light enough to bring along even if you're also carrying a camera and a few lenses. If weight is important to you, our travel tripod pick keeps it to a minimum while still providing solid support for your camera.
• Longevity: A quality tripod should last way longer than a year or two, so we singled out tripods packaged with tools that let you retighten the legs as they come loose with time and usage, as well as a long warranty so you're covered if something happens.

A tripod head with a quick-release plate makes it easier to attach and detach your camera. Video: Kyle Fitzgerald

Between previous versions of this guide and the most recent 2021 update, we've considered approximately 65 tripods and tested 16. The list includes:

• 3 Legged Thing Punks Corey
• 3Pod Orbit
• Benro MeFoto GlobeTrotter
• Benro SystemGo Plus FGP18A
• Manfrotto Element MII
• Manfrotto Element MII Video Monopod
• MeFoto RoadTrip Air
• MeFoto RoadTrip S
• Oben CT-3565
• Sirui W-1004K10 Tripod Kit River Runner
• Slik Lite AL-420M
• Slik Lite AL-420S
• Slik Pro 700DX
• Vanguard Alta Pro 2+ 263AB100
• Vanguard VEO 2 GO 265HAB
• Vanguard VEO 3T+ 234AB

How we tested

Stability is the main objective when you're using a tripod, so we mounted different camera-and-lens combinations to each tripod model to make sure it stayed steady with various setups and on different surfaces, including hardwood and carpeted floors indoors, as well as cement pavement, grass, and other uneven terrain outdoors. We purposefully used gear that was bulkier and heavier than the cameras and lenses we recommend in our guides, including the Nikon D5 and Z5 and Sony α6600 cameras with various lenses. The longest and heaviest lenses we used were the Nikkor 24–70mm f/4 lens and the Sigma 150–600mm f/5–6.3 lens.

We evaluated how easy it was to operate each tripod by setting up and closing down the legs and checking the leg-lock mechanisms. We checked the stability of the ball head, whether it moved when it was supposed to be locked, and how smoothly and evenly it moved when unlocked. We also examined each tripod's build quality and made sure that the different parts didn't get in the way of one another when in use.

Finally, we tested any special features; if a model had a movable center column, for example, we angled it into different positions.

Our pick: Vanguard Alta Pro 2+ 263AB100

Photo: Sarah Kobos

Our pick

The Vanguard Alta Pro 2+ 263AB100 offers the best combination of stability and height of the tripods we tested. It has the tallest maximum height (68.2 inches), its legs can angle outward at four angles (most models offer only three) to bring the camera closer to the ground, and its angling center column lets you position the camera in a multitude of ways when you've set the tripod at any one of those leg angles. Although it's a little heavier and longer than some other models when collapsed, its added weight and height increase its stability and versatility, and it's still small and light enough to carry around for a day's shooting.

The Alta Pro 2+ is rated to support up to 15.4 pounds. In our testing, it was very stable, even when we mounted pro-level gear that was heavier than any of the cameras and lenses we recommend in our guides. Each leg has three extendable segments, and although we experienced some wobbliness in the lowest segment when the legs were fully extended, it wasn't enough to negatively affect our picture taking and was typical of all the tripods we tested when they were at full height. When the center column is fully extended, the Alta Pro 2+'s height (not including the head) is about 68.2 inches, the tallest of the tripods we tested, so it's easier for taller photographers (anyone above the average height of 5 feet 6 inches) to use without having to stoop much. (With the center column collapsed, the maximum height is about 57 inches.) Although the center column is relatively stable when extended, keep in mind that all tripods are most stable when you have the center column lowered flush against the top of the legs.

The ball head included with the Alta Pro 2+ has degree markings to make duplicating panning positions easier. Photo: Sarah Kobos

Setting up the Alta Pro 2+ is quick and easy: Just turn the two twist locks on each leg—they unlock with a simple quarter-turn—and then tilt the legs down so that they slide to full extension. You lock the legs with a similar turn in the opposite direction. We like the nice feel of the textured grips on the locks.

Those three-section legs offer four angles relative to the center column: 20, 40, 60, and 80 degrees (most tripods offer only three angles). That gives you more versatility in terms of both lower height and the ability to adapt to uneven surfaces. The angles are marked at the top of the legs, and the legs ratchet into place so you can hear and feel when they're in position. With the legs at the 80-degree position, the tripod is almost level to the ground; this position is perfect for low-angle and macro shots, especially in combination with the tripod's multi-angle center column. A bubble level helps you ensure that the tripod is level even if the legs are extended to different angles.

It's easy to put the Alta Pro 2+'s center column into multiple positions: You just turn a couple of knobs, lift the center column (it automatically stops when fully extended, so it won't come all the way out in your hand), and angle it to whatever position you want. The hexagonal column won't twist when extending or retracting, making angled work easier. However, although this column is generally stable in its angled position, even when horizontal, be sure to check the balance: If the center column is positioned too far to one side, the weight of the camera and lens can cause the entire tripod to tilt over and fall—a law of physics that applies to any tripod with a multi-angle center column.

The included ball head and quick-release plate also work well. The ball head moved smoothly when we adjusted it, and it locked solidly into place. It has its own bubble level (to supplement the one on the legs), as well as a rotation gauge at the base of the head to help you duplicate panning positions when you're shooting multiple images to stitch into a panorama later.

With its legs angled outward and the center column angled to the side, the Alta Pro 2+ lets you place your camera perfectly for macro shooting. Photo: Kyle Fitzgerald

We also like the overall build quality of the tripod—none of the pieces seemed to be straining substantially even when we subjected them to heavy camera-and-lens combinations. The smoothness of the sliding parts was impressive, too. The Alta Pro 2+ feels like it will last a long time, and it comes with a two-year warranty.

In addition to the ball head and the quick-release plate, the Alta Pro 2+ 263AB100 kit comes with Allen wrenches in case you need to swap out the head or replace a broken leg, as well as a carry bag with a shoulder strap. The bag isn't as well made as those that accompany some other tripods we've tested, but it's good enough for moving your tripod from one place to another.

Flaws but not dealbreakers

Of the tripods we tested, the Alta Pro 2+ is one of the heaviest, at 5.3 pounds, and one of the longest, at 29 inches, when fully collapsed. If you're hiking in the woods or traveling on a plane or train, you have smaller and lighter options (including our pick for travel tripods, or even our also-great pick). But this Vanguard model's weight helps provide stability, and its added height makes it more versatile—we think these are reasonable trade-offs for a full-size tripod.

You can replace the angled rubber feet on the Alta Pro 2+ with spikes, but you have to purchase those spikes separately. Photo: Sarah Kobos

Unlike the previous Alta Pro model, our former top pick, the Alta Pro 2+ has angled rubber feet instead of round rubber feet with retractable spikes; spiked feet are now an optional purchase. The rubber feet of the Alta Pro 2+ work well on uneven terrain, but we felt them slide a few times when we were shooting indoors on wooden floors.

Unlike some tripods, the Alta Pro 2+ has no hook at the bottom of the center column to hang a camera bag or other weight to stabilize the tripod. Instead it has a small canopy-suspension loop on the bubble level. The loop is very small, and we wouldn't trust it to hold anything of measurable weight, but Vanguard makes a stone bag accessory that you can attach to the legs to add weight.

Some reviews on Amazon refer to issues with the Alta Pro 2+'s center column either coming off entirely when the owner is trying to angle it or not being able to tighten in place completely, but we didn't encounter this problem in our testing. When we reached out to Vanguard, representatives explained that this happened because some units that were meant as photo samples accidentally ended up distributed for sale; the reps said it shouldn't be a problem going forward, and we will be keeping an eye on this issue in long-term testing.

Best for use with multiple cameras: Vanguard VEO 3T+ 234AB

Photo: Sarah Kobos

Also great

Whereas the Alta Pro 2+ is a great all-around tripod for most photographers in most situations, we think the Vanguard VEO 3T+ 234AB is a good alternative for people who like to shoot with multiple cameras or are frequently on the move. That's because while the VEO 3T+ 234AB shares all the features we enjoy about the Alta Pro 2+, it's also lighter, smaller, designed with more flexible legs, and packaged with an additional accessory (the VEO+ MA1 adapter) that lets you mount an extra device, such as a second camera or a smartphone, to the center column. If you can live with its sole con—a shorter maximum height—those are some compelling pros.

At its maximum height, the VEO 3T+ 234AB stands 57.48 inches tall, about 10 inches shorter than our top pick but still tall enough to keep most people from hunching over when shooting. Each leg has three sections that extend easily yet feel solid once you tighten the twist locks. The legs have three easy-set angles, but they can also invert up to 108 degrees. This represents a notable advantage over the Alta Pro 2+, whose legs can adjust only up to 80 degrees. And when fully collapsed, the VEO 3T+ 234AB measures 18 inches long, some 11 inches less than the Alta Pro 2+; in other words, what you lose in maximum height you gain in portability.

The VEO 3T+ 234AB is about 10 inches shorter than the Alta Pro 2+ at max height. You're likely to notice the height difference most when the center column is parallel to the ground. Photo: Sarah Kobos

The VEO 3T+ 234AB offers a multi-angle center column that allows you to position the column (and the ball head) at various horizontal and tilted angles. Again, this design is great for otherwise challenging overhead and low-angle shots, and it's especially helpful for capturing macro images. In addition to offering the multi-angle column, the VEO 3T+ 234AB can convert to a monopod—you simply remove one of the legs and mount the center column on top of it. The tripod includes spiked feet, though you have to switch them out with the default rubber feet whenever you want to use them.

This tripod can handle loads of up to 22 pounds, or about 6.5 pounds more than our top pick. As with all the other tripods we tested, we saw a slight bit of movement when we mounted a Sony α6600 with a Sigma 100–400mm zoom lens and fully extended the center column. There is an optional hook you can screw into the bottom of the center column that lets you hang a camera bag or other weight to help stabilize the unit (though you'll need to remove this piece if you want to use the VEO 3T+ 234AB as a monopod).

The VEO 3T+ 234AB comes with the Arca-Swiss–compatible VEO BH-110S dual-axis ball head, which we found to be stable and secure during testing. The BH-110S also worked great with our Peak Design plate, locking in just as solidly as it did with the plate that comes with the ball head. Additionally, the VEO 3T+ 234AB includes a second mounting adapter, the VEO+ MA1, that you can use when you've set the center column to a horizontal position. It easily slides onto the other end of the center column and locks into place with a quick-release lever. The VEO+ MA1 offers a standard ¼-inch tripod screw to mount a second camera, a smartphone (using a smartphone tripod mount), or an action camera such as a GoPro.

A great waterproof tripod: Sirui W-1004K10 Tripod Kit River Runner

Photo: Kyle Fitzgerald

Also great

If you plan to shoot with your tripod partially submerged in water or mud, the Sirui W-1004K10 Tripod Kit River Runner is worth spending more on for the peace of mind it can provide. Although all our tripod picks can stand up to the rain, waterproof tripods do a better job of keeping the dirt and sand from rivers and lakes out of the joints, which can destroy any sliding or moving parts. This waterproof tripod from Sirui (pronounced "sue-ray") has comfortable controls and is well built and stable. It can't match the height of the Vanguard Alta Pro 2+, and it doesn't have the angling center column of either of our Vanguard picks, but it is the best tripod for fans of aquatic subjects.

The W-1004K10 provides very good stability, with a load capacity up to 33.1 pounds. The tripod weighs just 4.2 pounds and folds up to a compact 19.3 inches for travel. With the center column fully extended (which, as we noted above, sacrifices some stability), it reaches a height of 65 inches; with the column lowered, 53.5 inches.

You can fold the Sirui W-1004K10's legs upward to shorten its minimum length. Photo: Kyle Fitzgerald

From its four-section legs to the bundled ball head, the W-1004K10 looks and feels solidly constructed. Whether you're extending the legs after releasing the twist locks or adjusting the angle of the ball head, the movements are smooth. This is especially true of the excellent ball head, which has separate controls for panning and locking, as well as a friction knob to adjust the tension on the control movement. It also has three bubble levels—in addition to the bubble level on the tripod itself—for photographers who need extremely accurate placement.

The tripod is waterproof up to the top of its foam grips, so you can step right into a river, lake, or ocean to get a shot. Those waterproof seals also mean that the W-1004K10 is protected from the dirt and sand you might encounter on your outdoor adventure. You can easily swap the stock rubber feet with the bundled spiked feet, and you can remove one of the tripod's legs to convert it into a waterproof monopod. As with the VEO 3T+ 234AB, a hook on the center column lets you hang a camera bag or other weights to help stabilize the tripod. The bundled carry bag is well constructed, just like the rest of the kit.

Sirui's ball head includes three bubble levels to help keep the horizon lines in your landscapes straight, even when you set up the tripod on uneven ground. Photo: Kyle Fitzgerald

Unlike our other picks from Vanguard, this Sirui tripod does not offer a multi-angle center column. This omission can make macro work more difficult, but it's an acceptable trade-off if you need the W-1004K10's waterproof design.

Because the W-1004K10 has four-segment legs, the last section of each leg is a little thin, so you give up a bit of stability when you fully extend all the legs. This drawback is common for four-segment legs, but it's still something to be aware of.

Best for travel: Manfrotto Element MII

Photo: Sarah Kobos

Also great

Manfrotto Element MII

Best travel tripod

The Element MII goes from backpack-sized to tall smoothly and quickly, and it provides sturdy support at a price lower than that of our other picks.

Buying Options

*At the time of publishing, the price was $130 .

If you plan to bring a tripod with you when you go hiking or on a vacation, you should consider a travel tripod that packs down small and won't weigh you down too much. The moderately priced Manfrotto Element MII is both small and tall—able to unfold from a collapsed height of 16.7 inches to a maximum height of just over 62.9 inches. The Element MII was one of the most stable travel models we tested; although its three leg sections end in a narrow circumference, overall it felt just as stable as the Vanguard VEO 3T+ 234AB.

At 3.4 pounds, the Element MII weighs almost 2 pounds less than the Vanguard Alta Pro 2+ 263AB100, but it can handle even more load with a rating of 17.6 pounds—equivalent to far more gear than most people would ever need to support at once while traveling.

The Element MII features smooth twist leg locks with plenty of grip, as well as three leg-angle locks that snap into place and release with a simple push. Two knobs control panning and ball head rotation, and they work smoothly with secure tension. Two bubble levels help keep both your horizon level and your vertical alignment correct. You can also remove one leg and attach it to the ball head for use as a monopod.

The Arca-Swiss–style mount looks small, but in our tests it easily accommodated a Nikon Z5 camera with a 24–70mm f/4 lens. The mount includes a tiny handle that works great in a pinch if you don't have an Allen wrench or a coin handy to tighten the plate to the camera.

The Element MII's slightly spiked small rubber feet offer plenty of grip, as well. Optional rubber spikes are included in the bag with the tripod. Thankfully, the entire package is small enough to tuck into most backpacks or large bags.

Like many tripods, the Element MII uses twist leg locks. Although we prefer these to the flip kind for travel tripods—because they help keep the overall aesthetic sleek and are less likely to snag—they come with potential problems, too. Resist the temptation to over-loosen twist locks. It takes only a slight turn to loosen them; much more than that, and you may unintentionally discover that the legs are a bit tricky to put back together. Once they're extended, also be sure to firmly tighten the twist leg locks. Unlike with flip leg locks, with twist leg locks it's harder to tell whether they're completely secured; use your hand to double-check.

At 16.7 inches long and 3.4 pounds, the Manfrotto Element MII is easy to tote along on a trip abroad or an everyday hike. Photo: Sarah Kobos

Like most tripods in this category, the Element MII comes with a drawstring bag that you'll likely end up discarding. There's not much advantage to using a dedicated bag, as opposed to just tucking the tripod into a backpack or attaching it to a bag you're already using in your travels.

The best monopod: Sirui P-204SR

Photo: Sarah Kobos

Also great

Sirui P-204SR

The best monopod

This monopod is strong and stable, perfect if you like shooting subjects that require you to stay on the move.

Buying Options

If you often shoot subjects that keep you on the move—such as wildlife or sports that require a lot of panning—you may prefer the lightweight freedom of a monopod over a tripod. The Sirui P-204SR is tall, strong, and adaptable to almost any situation, which makes it our favorite general-purpose monopod. It has large, comfortable, rubberized twist locks for extending and retracting its three sections. It weighs just 3.3 pounds but can hold up to 17.6 pounds of equipment—more than our top tripod pick. In testing, it handled everything we mounted on it with ease, including a 4.5-pound Sony α6600 camera with a Sigma 100–400mm zoom lens.

The P-204SR features a removable base that can tilt up to 20 degrees. With the base, the monopod stands 63.5 inches tall; without the base, it reaches 57.9 inches. The base of the P-204SR had the largest feet of any of the monopods we tested, which gave it extra stability. Even when fully extended, it stood solidly with a Nikon Z5 camera and 24–70mm f/4 lens attached. Both rubber and spiked feet are included. One additional feature we love about this monopod is that the base, once you remove it from the body, can double as a small tripod (similar to the Manfrotto Pixi) with the help of an included accessory.

The monopod comes with an accessory that lets you mount the camera directly to the feet for a quick tripod setup. Photo: Sarah Kobos

This monopod doesn't come with a ball head, but the screw mount is reversible, meaning it has two thread sizes—one for cameras and one for tripod heads, so you can mount one if you want. In our testing we found that the tilting base gave us enough leeway to get most shots but not all. We definitely recommend a ball head if you're into bird photography, since it's much easier to angle only the camera upward instead of leaning the whole monopod backward. We tried the Benro BH00 ball head (which we discuss below) with the P-204SR, and it worked great.

The monopod's range is restricted without a ball head, so you have to lean it backward in order to aim the camera up. Photo: Sarah Kobos

Sustainability and the environmental impact of tripods

The best way to live a sustainable lifestyle is to create less waste, and a great way to create less waste is to invest in equipment that is made to last, repairable, and covered by a dependable warranty. As we state in How we picked, a solid warranty was one thing we looked for when deciding which tripods to test. All of the picks in this guide also come with an Allen key so you can retighten the legs as they come loose from use.

Although it might be tempting to pick up a cheaper tripod, such models are often made from low-grade plastic that you cannot tighten over time, and that you cannot repair if a part should break or crack. If you need a tripod and don't have the budget to invest in one that'll last, try searching sites such as Craigslist, eBay, or Facebook Marketplace to see if other photographers are selling used but high-quality tripods at a discount.

If you currently own a tripod but are looking to upgrade, selling or giving away your old equipment is a great way to help others and keep excess materials out of landfills. If you have a tripod that's not in good-enough condition to pass along, consider upcycling it.

Other good tripods

If you need a cheaper tripod and don't mind giving up a little stability and usability: The Benro SystemGo Plus FGP18A is simple to set up, solidly built, and only 3.9 pounds. It's significantly lighter than our 5.3-pound top pick, and in its most compact configuration, it's also noticeably smaller—18 inches versus the Vanguard Alta Pro 2+'s 29 inches. Despite its lightweight design, this tripod is well made and sturdy-feeling. And like the Alta Pro 2+, the FGP18A offers a multi-angle center column that you can position at various horizontal and tilted angles.

However, Benro doesn't offer a package with a ball head, so you have to pick one up separately if you don't already own one. We tested and recommend the company's BH00 single-action ball head as a solid, inexpensive option. It has a snap-in quick-release plate that's comparable to what you get with other tripods at this price.

The combination of the Benro SystemGo Plus FGP18A and BH00 ball head isn't quite as stable as our top pick, especially when extended to maximum height, and this tripod's adjustment knobs aren't as easy to use. We found that the FGP18A's center-column angle-adjustment knob was tight and difficult to move into position. And the knobs—including the center column's height and pan-control locking knobs—could end up blocking each other depending on how we positioned them. But if you can live with those quirks, it's a fine all-around choice.

The competition

Standard tripods

The Benro MeFoto GlobeTrotter is a simple but solid tripod with four-section legs. When fully extended, it was the most solid feeling of all the tripods we tested, and it's rated to handle up to 26 pounds, more than any of our picks. It's more expensive, though, and the center column can't angle out like those of our top picks can. We also found that the twist locks required more turns to loosen and tighten than on our picks, which meant that this model took more time to open and close. Lastly, at 4.5 pounds, it's almost as heavy as our pick but without the benefit of a multi-angle center column.

The 3Pod Orbit is a four-section aluminum tripod with a bundled three-way head. This relatively stable tripod has a multi-angle center column and feet with retractable spikes. However, during testing we found that the retractable spikes sometimes stuck out of the rubber feet—not far, but enough that they could damage a wooden floor. Also, the flip locks that controlled the legs were so tight that we had difficulty unlocking and locking them. When we used the supplied Allen key to loosen the tension a little so that we could more easily operate the locks, we found that the legs wouldn't lock tightly enough.

The low-priced Slik Pro 700DX doesn't do anything fancy: The center column doesn't swivel or tilt, the tripod has no extras, and it doesn't come with a head. However, Slik has a reputation for quality models on a budget, and for the price the 700DX is an impressively good, simple, stable tripod. It has a great maximum height of 70 inches, and it will probably survive the apocalypse.

The tripods in Slik's Lite series feature a ball head, a detachable LED light, and a lever for easily locking and unlocking the tripod legs, but the Lite AL-420M and Lite AL-420S are too short to be contenders in this category. The Lite AL-420 can get tall enough to meet our requirements, but it has a maximum load capacity of only 4.4 pounds, a limitation that caused us to dismiss it for this guide.

Travel tripods

The 3 Legged Thing Punks Corey travel tripod has comfy textured grips on each rounded leg lock, but it also has the most spindly legs of any travel tripod we tested, and in our tests they exhibited a significant amount of flex. It was also hard to lock in a specific leg-angle lock, and the price is at the high end of our desired range.

Oben's CT-3565 carbon-fiber tripod and BZ-217T ball head package makes for a solid travel tripod—it's even lighter than our travel pick and can be found for about the same price. On the downside, it's just a bit shorter, and we didn't like the feet as much. The Oben tripod comes with rubber-and-spiked combo feet, which can be a bit annoying when the rubber spins up (during transport or use) to reveal the metal spikes just when you don't need them. (We'd argue that you so very rarely need them that this feature often feels like more of a hindrance.) In contrast, the small, slightly spiked rubber feet on the Manfrotto Element MII are everything that most people will ever need, with a bit more grip to the rubbery material, too. And the Element MII comes with optional rubber spikes, should you need them.

MeFoto's RoadTrip S felt unstable compared with other travel tripods we tested. The leg-angle locks were trickier to use, too, requiring a two-fingered grip to release. MeFoto also offers the RoadTrip Air, which converts into a selfie stick and includes a shutter remote, but its collapsible leg system was harder to control than five individual leg locks, and we worried that a tiny bump to any of the five skinny leg sections could send the whole tripod—along with our expensive camera gear or smartphone—cascading down.

The Vanguard VEO 2 GO 265HAB is a little smaller and lighter than the Manfrotto Element MII, but it's also more expensive. We loved how easy it was to use, with small upgrades such as comma-shaped pan and ball lock knobs that offer a better grip for making adjustments. But it doesn't have any bubble levels, and it can reach the same height as the Manfrotto Element MII (64.5 inches) only if you extend the center column, which in our testing felt a bit less steady.

Monopods

The Manfrotto Element MII Video Monopod is significantly smaller and less stable than our monopod pick from Sirui. It barely stood up on its own, let alone with a camera mounted. The included fluid head panned and tilted smoothly, but the base isn't removable, making this model less versatile than our pick.

The Manfrotto Xpro Monopod+ Aluminum Four-Section with Fluid Video Head is big, heavy, and slow. The fluid head is dampened, and no matter how loose we set it, we still found resistance when panning and tilting. This design could make it difficult to track fast-moving action or wildlife. Although the tilting base is removable, the legs don't lock when they're tucked up, and they opened on their own during our testing. And instead of twist locks, this monopod has flip locks, which we found loud enough to be distracting.

Theano Nikitas contributed to this guide.

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Source: https://www.nytimes.com/wirecutter/reviews/best-tripod/

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